She says she and her girlfriend of five years, Stacy Reader, aren’t affectionate by nature, so she knew it was bad when Reader started squeezing her hand and reassuring her using her pet name, Squin.
Tegan’s phone contains several close-up shots of her sister’s putty-clad nostrils.
It’s a perk of sharing a face that only one twin had to do it.
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Their friends compare anxious Sara to a cat, and breezy Tegan to a dog.
In a cab two days prior, Sara and I sat in the back talking about her relationships, while upfront Tegan thrashed to the driver’s alt-‘90s playlist, routinely turning to ask if we were even listening: “Guys, Hole! They both have slicked-back hair, whited-out lips, and bleached eyebrows to shoot footage for “Boyfriend,” the lead single from their forthcoming eighth album, Love You to Death, that will be part of their live show.
”But on this stiflingly hot day in late February, they’re styled to eradicate any differences. Each of the record’s 10 songs will have its own clip, ranging from a DIY video with an Instagram-famous dog groomer (piano ballad “100x”) to this big-budget affair.
On a table are clay busts of Sara’s face, which she sat for a few days ago. The molding material covered everything but her nose, which made her panic.
In 2016, the mainstream looks and sounds like this boundary-pushing Canadian sister act.
Now that the former outsiders have survived misogynist critics, a fickle industry, and each other, the stars are aligned for them to become two of the biggest names in pop.
In a city of beige sheds in Burbank, north of Los Angeles, the Sir Reel Studios live up to their name when Tegan and Sara Quin appear fresh out of makeup, the mirror image of each other, even more so than usual.
Fans can usually tell the 35-year-old Canadian identical twins apart: Sara has a heart-shaped face, and Tegan has a little scar from her old labret piercing.
She was writing in part about Reader seeing a guy when they first met, and more broadly about gender identity and roles in all relationships, which inspired the video’s fluid, drag-inspired aesthetic: The Quins take turns getting gaudy makeup applied, and a giant motion-capture camera films them in close-up, miming along to the ridiculously catchy track.
In the final, CGI-enhanced edit, the colors will swim across their faces.
Sara says she’s ready for such an obviously queer pop song (she notes it name-checks The Crying Game) to strike a mainstream chord.