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It’s the Metropolitan Opera’s premiere of Two Boys.

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Bringing a bit of Broadway caché to the team is librettist Craig Lucas (The Dying Gual, Prelude to a Kiss, and the screenplay Longtime Companion) and director Bartlett Sher (Golden Boy, South Pacific, The Light in the Piazza).

The 128-year-old cultural institution has commissioned this thrilling new work by composer Nico Muhly, whose recent projects include original music for the current Broadway production of The Glass Menagerie and for the upcoming film Kill Your Darlings.

“I’m incredibly fortunate, I’ve had great opportunities to study with the highest level of teachers and musicians.” Working as a freelance opera singer with a management representation in both the U. and Europe, Appleby is auditioning (and booking) projects slated as far out as 2015 and beyond.

“This is why it takes so long to establish a career.Opera demands so many resources—a great orchestra and a great conductor, director and performers at the top of their fields.” The Met’s production of Two Boys is a professional benchmark not only for Appleby, but also for composer Nico Muhly. There’s so much tradition in the 19 century repertoire.On the fast track to becoming one of the opera world’s next great tenors (at age 30, Appleby is a recent graduate of the Metropolitan Opera’s Lindemann Young Artist Development Program and a recipient of a 2012 Leonore Annenberg Fellowship in the Performing and Visual Arts), Appleby has his hands full with a vocally and emotionally demanding role that is stretching the boundaries of contemporary opera.Appleby began studying voice while still in high school to improve his performing technique for musical theater, but once he started studying, his passion grew toward the classical repertoire.While Broadway is peppered with teenagers and young adults, the world of opera takes longer for voices to reach their full potential.“In opera, it simply takes a longer time for a younger voice to mature to the parameters that opera requires—to master the techniques to sing with an orchestra unamplified,” says Appleby.


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